News & Updates

Friday, February 10, 2017
This Week On WXYC

Hi all,
 
Here's what we have planned this week:
 
Tonight's Inside Track is Evidence From A Good Source, the debut album from Doms & Deykers, a collaboration between Dutch producers Steffi and Martyn. Having produced two EPs together in the past, this duo’s unique sound draws from each of their backgrounds. Steffi’s roots in electronica and Martyn’s UK/Detroit house sounds complement each other nicely, with different songs leaning perhaps more to one genre or the other. The record is marked by its punchy basslines, electro riffs, and some distorted vocals sprinkled in and around, which all comes together in a blend of hynoptic, melancholy, and peaceful jams.
 
Monday's Outside Track comes courtesy composer, singer, and harmoniumist Amirtha Kidambi and her group Elder Ones. The record's Holy Science, a jazz suite in four parts that aspires to an Alice Coltrane style universalism in her music. In her own words: “[Alice] was, in a way, a universalist in her music, blending her influences of Stravinsky, gospel, free jazz, the avant-garde, world music, and her spiritual practice into a totally individual sound. I really relate to that way of thinking about music and the universe.” Kidambi is currently Director of Ops at ISSUE Project Room, and has worked with Darius Jones, Catherine Christer-Hennix, and Robert Ashley. Elder Ones features Brandon Lopez on bass; Matt Nelson on sax; and Max Jaffe on drums.

Saturday, February 4, 2017
This Week on WXYC

Hi everyone,
 
Here's what we have coming up this week:
 
Monday's Outside Track will be Lodestar, the new album from Shirley Collins and her first solo record in almost 40 years. Collins is a monumental figure in the world of folk music, helping kickstart the folk revival in the US with her collections of field recordings with Alan Lomax, her reinterpretations of traditional tunes, and her pivotal role in groups like Fairport Convention. Working with support that includes the Coil associates Cyclobe, the arrangements are as full-bodied as her days with Fairport Convention and as sparse and inventive as when her sister Dolly was putting anachronistic medieval touches on her anachronistic medieval songs. As ever her voice is the core, and even if she can't hit all the notes she used to, it's still an inventive, haunting, and beautiful series of performances. 

Friday, January 27, 2017
This Week on WXYC

Hi all,
 
Here's what we have planned this week:
 
Tonight's Inside Track unearths four compositions from composer Jon Gibson, compiled together on the album Relative Calm. Recorded in 1981, these four tracks highlight Gibson's involvement in the New York Minimalist, working with legends like Terry Riley and La Monte Young as well as being a founding member of the Philip Glass Ensemble. Like Glass, Gibson favors repetitive melodies that unfurl over long periods of time against a backdrop of slowly shifting drones and electronic washes. There's plenty of electronic and acoustic instrumentation that come together in a vibrant and colorful sound pallet, all culminating in the propulsive and beat-driven conclusion, "Return."
 
Monday's Outside Track features more reissued material, Bobo Yéyé: Belle Époque In Upper Volta, the latest compilation assembled by the folks at Numero Group. Upper Volta is the West African country now known as Burkina Faso, and this collection highlights the vibrant and cosmopolitan music scene that existed in the country between their liberation from colonial rule and the 1983 military coup led by Thomas Sankara that shifted the cultural and political trajectory of the country. Plenty of the sounds on this album will be familiar to listeners of the afrobeat and highlife music that came from other West African countries at the time, but it's blended here with Latin flavored horns and percussion and influences and sounds drawn from contemporary French Yé-yé music. 

Friday, January 20, 2017
This Week on WXYC

Hi everyone,
 
Here's what we have going on this week:
 
Tonight's Inside Track is the zillionth LP from Australian experimental guitarist and percussionist Oren Ambarchi, Hubris. A collaborative performance of propulsive, driving rhythm in three parts, Ambarchi brings on an array of musicians including Ricadro Villalobos and Jim O'rourke to create a head-lolling phantasmagoria inspired by the sounds of new wave and disco--particularly Wang Chung’s soundtrack to the 1985 thriller To Live and Die in L.A. Although Ambarchi's latest solo work has frequently been focused on rhythm (like "Knots" or Quixotism), it's never been quite this colorful or fun.
 
Tonight on New Science Experience co-coordinator Kyle B goes solo. Kick-off the weekend with two hours of body-moving tunes both new and old.
 
This week's Orange County Special examines the musical traditions of French Louisiana (Zydeco, Cajun, Delta Blues) and traces its origins to Roma music and the traditions of eastern Europe. Listen in at 11am Sunday for some tenuous connections and a lot of accordion.
 

On Monday, this week's Outside Track will be the new World Arbiter compilation Traditional Music: Songs of People at Work and Play. The Kokusai Bunka Shinkô-kai (KBS), a cultural outreach agency now known as the Japan Foundation, curated this anthology of pre-WWII folk songs from mainland Japan in the late 1930s and early 1940s (it was officially released in 1941). Songs of People at Work and Play is the 5th volume of the Japanese Traditional Series and focuses on riyou, or folk songs. Here we have 24 unique recordings that highlight local lifestyles and musical traditions, in both rural and metropolitan areas. Most of the songs are sung by “ordinary” people – farmers, artisans, miners, etc. In addition to call-and-response work songs, there are also celebratory songs that were heard at festivals and weddings, as well as songs with religious roots. As both a historical document and a quality piece of music, this collection is definitely worth your time! 

Friday, January 13, 2017
This Week on WXYC

Hi all,
 
Here's what we have coming up this week:
 
Tonight's Inside Track will be the new record from SW. (aka Stefan Wust), Sued 15, the first full length LP for the label he co-runs with Sven Rieger. Wust creates subtle house filled with breakbeats and loops of organic percussion amid a sea of ambient synthesizers and shimmering cymbals. Over the course of its eleven untitled tracks, Wust explores a variety of moods and intensities, from floating explorations with the low end completely sucked out of them to driving and club-ready groovers, all while maintaining a strong atmospheric and emotional quality.
 
Monday's Outside Track is a victory lap for WXYC's favorite album of 2016 as voted by our DJ body: Solange's A Seat at the Table. It's an album both personal and political, discussing race and justice through the lens of her own family's history. These themes are developed through a series of psychedelic R&B instrumentals that look to the ideas and sounds of the 60's and 70's while still sounding modern and transcending homage or backwards-facing pastiche. We definitely weren't the only people who enjoyed this album, but it's for good reason that it showed up on a lot of our year-end lists. Whether you've heard it or not, Monday's a great chance to celebrate this record.

Friday, January 6, 2017
This Week on WXYC

Hi everyone,
 
Here's what we have going on this week:
 
Tonight's Inside Track is a cosmic journey brought to you by Deepblack co-founder Aybee and his new album The Odyssey. Although a somewhat more conventionally structured than some of his previous work, The Odyssey delivers a selection of oddball house tracks that move without ever quite settling into a four on the floor pattern. If interplanetary music is your thing, strap in and enjoy the ride.
 
This week's New Science Experience features Chapel Hill based musician and NSE vet Matt Stevenson doing a hardware set followed by an hour of DJing. Expect minimal techno jams ready for the dance floor, and check out his release Infrastructure which we rotated last fall to get yourself psyched up.
 
Contemplate (what's left of) the snow for Monday's Outside Track with the electro-acoustic wonderland of Mary Lattimore & Jeff Zeigler's Music Inspired by Philippe Garrel’s Le Révélateur. This collaboration between harpist (Lattimore) and multi-instrumentalist (Zeigler) originated as a live score to the 1968 silent film and has since been tweaked and adapted over the last few years. It's a mix of wandering, whimsy-laden harp, synth & multilayered acoustics, and distorted noise. It's as equally suited to score an abstract French film as it is a cold Monday night.

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